Marissa Jaret Winokur Channels Good Witch in ‘Wonderful Winter of Oz’ Since her breakout Tony-winning debut on Broadway in “Hairspray” in 2002, Marissa Jaret Winokur has appeared in movies (“Fever Pitch”), TV series (“Retired at 35,” “Melissa & Joey,” “Playing House”), competed on “Dancing With the Stars” and won “Celebrity Big Brother.” Now she’s returning to the musical theater stage as the good witch Glinda in “The Wonderful Winter of Oz,” a Lythgoe Family Panto production opening Dec. 15 at the Pasadena Civic Auditorium. Blending Frank Baum’s story and characters from “The Wizard of Oz” with well-known modern pop songs, the holiday show stars Mackenzie Ziegler (“Dance Moms,” “Dancing With the Stars: Juniors”) as Dorothy and Kermit the Frog as the Wizard. Growing up watching “The Wizard of Oz” and “The Muppet Show” on TV, Winokur didn’t hesitate when she got the offer to participate. “We were all star-struck by Kermit the Frog at the photo shoot. Getting to sing with Kermit is so exciting for me,” she said. And she’s just as thrilled to don her extravagant Glinda gear. “The costumes are amazing. They come from London,” she said. “They’ve spared no expense.”
The Wiz Was So Much More Than a Failed Wizard of Oz BET recently televised The Wiz, and I indulged in a few jazzy minutes. It’s still special when I come across it, even though I have the DVD and can watch it whenever the desire takes hold. There’s still fresh joy in it; seeing the majestic Lena Horne descend from on high as Glinda the Good Witch will always make me feel like an awestruck 7-year-old. Play Stephanie Mills’ signature stage version or Diana Ross’ powerhouse rendition of “Home,” the epic ballad about a safe, soft place where there’s love overflowing, and the inside of my chest swells. Sometimes I even get teary—it reminds me, lyrically and personally, of my mama and my grandmother. I see the whole movie now in a way I couldn’t when I was a child. I still dance, I still sing, but I’m proud of the beauty of Blackness and the legacy of a movie that, like the people who created it, can’t help but be great.
UW Professors Examine Long Marketing Life of the ‘Oz’ Myth As the three UW professors describe it, the book was born “on a balmy summer night in New York City in 2013.” They were passing the famed Gershwin Theatre late in the evening when a rush of theater patrons came out the front doors, excitedly discussing the stage production of “Wicked: The Untold Story of the Witches of Oz.” They noticed some were wearing tiaras, others dressed in green, and they even spotted a few sporting ruby red slippers. That got them thinking: How has Oz resonated so well through generations, and how many times can different versions of Baum’s original book be told through different platforms? The three professors’ book examines the long life of the Oz myth through the marketing machinery and the consumption patterns that have made its sustainability possible. Drawing on the fields of marketing, literary and cultural studies, and remediation theory, the authors examine key adaptations of Baum’s original publication. “For me, the biggest surprise was Baum himself. He wasn’t the impractical ‘dreamer of Oz’ we see in television movies,” Aronstein says. “Rather, he was an astute and savvy pioneer in the newly professionalized marketing field, and he used his experience to market and brand ‘Oz.’”
There’s no place like home for ‘Ruby Slippers’ production “Ruby Slippers,” a creative collaboration through the University of Minnesota Theatre Arts and Dance Department, explores what happened the night Judy Garland’s ruby slippers were stolen from a museum in Grand Rapids, Minnesota. The production will run Nov. 19 and 20. “I was trying to find a new story to develop and I did a Google search of the three … oddest things … that have happened [in Minnesota], and up pops this article about these ruby slippers that were stolen from the Judy Garland museum in Grand Rapids, Minnesota in 2005,” said Luverne Seifert, the director of the show and a senior teaching specialist in the theatre arts and dance department. And so the idea for “Ruby Slippers” was born. The collaborators had six weeks to write the show and then six weeks to stage it. They drew heavily from the film “The Wizard of Oz,” as well as the TV series “Fargo” because of its focus on mystery and crime in Minnesota. They also tried to capture the grief of the community in Grand Rapids, like dialogue from an email written by a woman in Grand Rapids who was angry over the stolen slippers.
‘Wizard of Oz’ draft scripts head for auction block A collection of draft scripts for “The Wizard of Oz” and other material from the archives of the 1939 film are going up for auction in December and could fetch up to $1.2 million. Los Angeles auctioneers Profiles in History said on Thursday four handwritten draft screenplays by Noel Langley were being sold. Langley, who died in 1980, was one of about a dozen screenwriters who worked on the big screen adaptation of L. Frank Baum’s children’s book that catapulted Judy Garland to fame and became an enduring movie classic. Langley’s first three original drafts, dated between April 5 and May 14, 1938, are being sold alongside a fourth draft of the screenplay, written by Florence Ryerson and Edgar Allan Woolf, and a fifth draft from August 1938 by Langley. “It is the single most important manuscript in Hollywood history,” Brian Chanes, head of consignment at Profiles in History, told Reuters. Chanes said the more than 150 pages of handwritten manuscript notes and pages were “the genesis of ‘The Wizard of Oz,’” tracing its development and changes from first draft to the final version. Some 16 photos of special effects, including the tornado sequence that transports Garland’s Dorothy from Kansas to the magical land of Oz, will be included in the single lot. The archive is being sold by an anonymous private collector who bought it years ago from the late Los Angeles memorabilia collector, Forrest J. Ackerman, Chanes said. Profiles in History put an estimated sale value of $800,000 – $1.2 million on the archival material, which will be auctioned during its Hollywood memorabilia sale in Los Angeles from Dec. 11-14.
This holiday season, take the whole family to see “The Wonderful Winter of Oz,” featuring Kermit the Frog® live on stage as the Powerful Wizard, Mackenzie Ziegler (Dancing with the Stars: Juniors and Dance Moms) as Dorothy, Tony Award-winner Marissa Jaret Winokur (Hairspray) as Glinda, Phil LaMarr (Mad TV) as The Tin Man, and Jared Gertner (The Book of Mormon) as The Scarecrow.
This show is in the format of British Panto, featuring a modern, holiday version of the classic fairytale with pop music, “So You Think You Can Dance” alumni, comedy, audience participation, family-friendly magic and more!
Don’t miss the FREE Winter Wonderland experience one hour before each show in the lobby.
“The Wonderful Winter of Oz” is produced by Lythgoe Family Panto, known for their productions of “A Cinderella Christmas” starring Lauren Taylor, “Sleeping Beauty And Her Winter Knight” starring Olivia Holt, and “A Snow White Christmas” starring Ariana Grande.
Save 20% on tickets with code OZ20.
Visit: thepasadenacivic.com or call the box office at (626) 449 – 7360.
To win a family four pack of tickets to the show, answer this trivia question: What Oz themed hit song did Kermit the Frog record in 1979? Email your answer to OzPinhead@frodelius.com One winner will be chosen randomly from correct responses. Contest ends at midnight on November 30th.
Illustrator okama Gets Art Exhibit for Wizard of Oz, Alice in Wonderland Books Illustrator and manga creator okama is releasing his version of L. Frank Baum‘s classic novel The Wonderful Wizard of Oz as the 11th volume of Kadokawa‘s 100 Nengo mo Yomareru Meisaku (Masterpieces You Can Read 100 Years Later) series on November 30. To celebrate the release, the “okama no Kaku Sekai Meisaku ‘Fushigi no Kuni no Alice’ ‘Oz no Mahōtsukai’-ten” (World Masterpieces That okama Draws: Alice in Wonderland, The Wonderful Wizard of Oz Exhibition) will be held at the GoFa gallery in Tokyo from December 8 to January 14. The 100 Nengo mo Yomareru Meisaku book series recreates classics of Japanese and Western literature with new art by Japanese illustrators. The books targeted at elementary school students feature “story guide manga,” color illustrations and posters, and guides for writing book reports. Before illustrating the series’ The Wonderful Wizard of Oz book, okama drew the series’ versions of Lewis Carroll‘s Alice’s Adventures in Wonderland and Through the Looking-Glass books. The books debuted simultaneously as the series’ first two titles in 2016.