Musical of the Month: “The Wizard of Oz” and Victor Herbert Like any musical, The Wizard of Oz did not live in isolation. It constituted one point in a theatrical web of interactions between producers, writers, and players. Victor Herbert’s direct connections to the show through Fred R. Hamlin, Julian Mitchell, Glen MacDonough, Fred Stone, and David Montgomery resulted in two of the composer’s most celebrated early works, Babes in Toyland and The Red Mill.
‘Wicked’ offers a twist on one of the most beloved American stories At the time Stephen Schwartz, 63, became aware of Gregory Maguire’s 1995 novel “Wicked: The Life and Times of the Wicked Witch of the West,” Schwartz had sworn off Broadway. The composer, who launched his career with the Broadway hits “Godspell” (1971) and “Pippin” (1972), spent the 1990s writing music for animated films such as “Pocahantas,” for which he won two Academy Awards. But Schwartz said he knew as soon as he read “Wicked” that he yearned for Broadway again. “I found the idea of ‘Wicked’ irresistible,” he said. “The notion that someone thought to make the Wicked Witch of the West, quintessentially evil, the protagonist, appealed to me. I enjoy taking characters we know from another work and spinning them a bit.”
All Things Oz in Chittenango celebrates life and stories of L. Frank Baum “This summer, we are featuring an exhibit which will be the ‘Top of the Line’ for Oz enthusiasts to see,” Evans said. The directors are keeping this surprise tightly guarded for now but plan to announce this “major attraction” soon. Curators are constantly preparing new features and bringing in new collections. “Each time someone visits they will find something new and exciting,” Zimmer said. Unlike Dorothy, the volunteers are not able to click the heels of their ruby slippers to obtain what they are seeking. While many have contributed, the museum needs more benefactors to flourish. It costs close to $2,000 monthly just to pay the rent and utilities and that does not include any funds to help the museum grow. One way that individuals can help save this museum is through the “It Takes Two” campaign. “We are asking Oz fans everywhere to send $2 to us,” Zimmer said. “In return, your name will appear in the ‘All Things Oz’ exhibit and on the It Takes Two club sign to be housed permanently in the museum.
Toto, I don’t think we’re in Ridgecrest anymore In honor of his his iconic Munchkin friend, Jerry Maren ,the center (Lollipop Guild Kid you see in 1939 film, who hands Dorothy the Lollipop), Lyle Gregory dedicates the Ridgecrest 2011 Historic Oz House Presentation to Maren who is now 91 years old, and the last surviving male Munchkin from The Wizard of Oz. The colorful 3D Munchkin Land scenes you will see this year at The Historic Ridgecrest Oz House is the creation of Lyle Gregory and his Brother and business partner Noli Laqui and Laqui’s eight children. The Oz murals are an official gift from the People of Philippines to the People of Ridgecrest and to The State of California.
Peekskill’s L. Frank Baum – OZ Connections We know that the Peekskill’s roadway paved with yellow bricks existed at Peekskill at least in the 1830s. In his arrivals and departures from Peekskill, either by train or steamboat, this yellow brick road was convenient, busy and always visible. An observant and sensitive young Frank Baum may well have noticed the road of yellow pavement as it connected Peekskill to the outside world, and as a passageway to his home in upstate New York. His several comings and goings into and out of Peekskill during his two years experience at Peekskill apparently remained stored in his mind for future use.
Dorothy and the Witches of Oz: New Title, New Stills, New Release Date Though Witches of Oz has already received a DVD release in the UK and been released in a longer mini-series format in parts of Europe, Palace/Imaginarium have given the film a minor title change and will be giving a feature-length cut of the film with upgraded special effects a theatrical run in February with an American DVD release to follow. A new trailer reflecting these changes is due to hit the web shortly after the New Year.
Soviet Wizard of Oz at the Staatsballett Berlin A new ballet is being performed in Berlin that is based on the Soviet version of the “Wizard of Oz.” It is the only version of the Oz stories that most people in Russia and the Eastern bloc countries ever knew.
The Wizard of Oz, Philharmonic Hall The RLPO is experienced at this kind of thing, because apart from this being the third time in those five years it has performed Oz, it has also got an extensive back catalogue of film work with Carl Davis, playing for silent movies including the 1927 version of Napoleon, and others, including classics by Charlie Chaplin and Harold Lloyd. And to add to the festivities, ahead of the matinee screening there’s also a Wizard of Oz fancy dress competition with entrants being judged in the hall and with prizes to be won. Previous years have seen a witches, Dorothys, tin men and even the scarecrow.
Eric Shanower (photo courtesy of hungrytigerpress.blogspot.com)
Eric Shanower’s Road To Oz Travel down the Yellow Brick Road with award-winning cartoonist Eric Shanower as he presents words and images from his many Oz projects through the years. Laugh as Shanower discloses his childhood efforts to channel the magic of L. Frank Baum’s Oz books. Cheer as Shanower details his struggles to find a publisher for his early Oz comics. Sigh with relief as Shanower extolls his collaboration with Skottie Young on their New York Times best selling series of Oz graphic novels. Don’t miss this unique peek behind the curtain of today’s Oz comics and illustration. Please join us at the Cartoon Art Museum on Thursday, January 19, 2012 from 7:00-9:00pm for this special presentation.
The Santa Claus of Two Worlds Life & Adventures, based on a book by Wizard of Oz author L. Frank Baum, was released in 1985 and was the last of the Rankin/Bass stop-motion specials. Oddly enough, it’s one of the more obscure specials, too. It’s only available in one of those print-on-demand Warner Archive discs as a double-feature with Nestor the Long-Eared Christmas Donkey. That said, it is awesome. And it definitely tells you a lot about Santa Claus, like how he was weaned on the milk of a lioness, raised by immortals who taught him to speak the language of birds, and learned of man’s inhumanity to man by being astrally projected to Japan to watch children train to kill each other as samurai. For some reason, none of that stuff got a mention in “Comin’ to Town”. One thing they do have in common, though — and just about the only thing — is that Santa Claus enters the story as a foundling. In Life & Adventures, he just shows up one morning in the Forest of Burzee, and Comin’ to Town implies that he has parents that we never see. Personally, I believe that Thomas and Martha Claus were walking down Crime Alley one night when a mugger stepped out of the shadows and demanded money to buy toys, but that’s probably just me.
L-W North Varsity Phoenix Firebirds headed to state competition The Lincoln-Way North High School Varsity Phoenix Firebirds are headed to state after capturing 1st place at the Wheaton Warrenville South competition this past weekend (Dec. 17). The 17-member squad delivered a high-powered, crowd-pleasing poms routine with a Wizard of Oz theme. The squad will head to Peoria in March for the state competition.
KZN’s very own screen wizard THE classic 1939 film The Wizard of Oz starring Judy Garland has been described as the world’s most popular film, seen by more people — over a billion — than any other. In 2007, the American Film Institute ranked it the 10th “Greatest Movie of All Time”.So perhaps it’s worth remembering that the main scribe involved in the film’s screenplay was a South African, Noel Langley, who was born in Durban on Christmas Day in 1911, 100 years ago. Langley is credited with the adaptation from L. Frank Baum’s original book (itself a classic, published in 1900) and shares the script credit with Florence Ryerson and Edgar Allan Woolf. Langley’s story is told in “Noel Langley and Co: Some South Africans in Showbiz Abroad”, a paper by Stephen Gray that will be published next year.
Wizard of Oz comes to India A team of ten puppeteers from the Delhi-based group Puppet Studio have come together to bring to life the iconic characters created by L Frank Baum in his classic children’s novel, The Wizard of Oz. “ The play uses two kinds of puppetry traditional Dumkaroo puppets, where characters are made of thermocol and animated with rods. Contemporary glove puppetry has also been incorporated into the story telling.
Actors lip sync and use modulation to bring to life the American fantasy, which has been adapted for Indian audience. A medley of 10 songs has been made to take you through different moods and scenes. The songs have been written by Amit Gupta, 25, a software engineer, while city based band, The Outliner, has set them to peppy jazz tunes.
Young Santa Claus Santa Claus: The Musical follows the basic outline of Baum’s book with select edits and embellishments to heighten the story’s dramatic arc. The baby Claus is abandoned in the woods, discovered by a woodsman named Auk (Greg Dulcie), and left in the care of a kindly sisterhood of nymphs. The grown-up Claus (Christopher Deaton) ventures out of his sylvan idyll into the real world, where children suffer from both grueling poverty and buzzkilling grown-ups known as the AWGWAs (Awful Wicked Gruesome Wretched Adults), who wish to destroy all the toys in the land. The main villains are the Baron Braun (Paul Grant), a corrupt sheriff who secretly loves a stuffed pig named Mr. Snouty, and the evil Frost Queen (Cara Statham Serber), who works overtime to keep the village kids unhappy. The show’s score contains a mix of familiar hymns and carols with new lyrics by Sturgeon and Jim Wren and completely new tunes with music by Wren and Joe O’Keefe.
Exclusive: Bruce Campbell IS in Oz: The Great And Powerful “The scene that I shot was a page [of the script] and it took all day. It was great to see the scope of Oz and to see the detail, and the craftsmanship and the professionalism and the incredible stuff that they’re doing visually in every other way. I play a pivotal role. It involves me and Oz – that’s James Franco – and let’s just say that we have a confrontation. It was a very fun role to do actually.”