‘Wizard of Oz’ landscape sculpture coming to Centennial Park A whimsical “Wizard of Oz”-themed landscape plan for Centennial Park was approved by the Holland City Council Wednesday night. The late L. Frank Baum authored “The Wizard of Oz,” and 2019 will mark his centennial death anniversary. Baum spent many summers in Holland as he wrote the classic story that will now be represented where he once set foot. The landscape agreement between the city and the Holland Convention and Visitors Bureau will bring a three-dimensional flowerbed sculpture to Centennial Park. The sculpture will be shaped like an open book with “pages” referencing “The Wizard of Oz.” Character sculptures from the classic story will be installed on Herrick District Library property and linked to the flower sculpture with a yellow brick road. The flower bed book sculpture will probably be five to six-feet tall, Kenyon said. A company called Kadriform creates the structures constructed with a metal frame and filled with plants to form different intricate shapes and designs. Members of the Holland in Bloom Committee first got the idea for the project when they made contact with Kadriform at the annual Communities in Bloom Symposium in Canada. “This will be very professionally done, and will be very cool and neat to see,” Kenyon said.
Category Archives: Oz in Pop Culture
‘Wizard Of Oz,’ ‘Ben-Hur,’ ‘Shawshank,’ ‘Alien’ And ‘Field Of Dreams’ Headline TCM’s 2019 Classics The 14 movies returning the movie theaters as part of the 2019 TCM Big Screen Classics series have been revealed. The year-long event, in partnership with Fathom Events, gives film fans the chance to revisit, or enjoy for the first time, classic movies on the big screen. The first gem out of the gate in 2019 will be The Wizard of Oz. A critical success on its 1939 release, it actually didn’t make a profit for MGM until the 1949 re-release, earning only $3.02 million at the box office against a budget of $2.8 million – it was the most expensive production ever for the studio at the time. Thanks to various reissues, unadjusted for inflation, it has finally made $23.3 million. The Wizard of Oz will be in select theaters January 27, 29, and 30, 2019.
‘The Wizard of Oz’ secrets you probably haven’t heard “The Wizard of Oz” is still captivating viewers nearly 80 years since it first premiered in theaters. In fact, according to a recent research conducted worldwide, the classic musical has had the most impact in audiences than any other Hollywood masterpiece, including 1960’s “Psycho” and 1977’s “Star Wars.” Historians and collectors Jay Scarfone and William Stillman aren’t surprised by the findings. They’ve written several books on “The Wizard of Oz” and earlier this year they released “The Road to Oz,” which features interviews with several of those involved with the production of the 1939 film and surprising anecdotes from personal archives. The Oz experts spoke with Fox News about some of the surprising facts they found as they researched for their new book
‘Wizard of Oz,’ Miyazaki to star in LA Motion Picture museum An immersive “Wizard of Oz” exhibit will greet visitors to the Motion Picture museum in Los Angeles when it opens after a long delay in late 2019, organizers said on Tuesday. A pair of the ruby slippers worn by Judy Garland in the classic 1939 musical, along with costumes, props and exhibits about the behind the scenes making of “The Wizard of Oz”, will be installed in the lobby of the Academy Museum of Motion Pictures. Hundreds of other movie memorabilia on show in the main “Where Dreams Are Made” exhibit will include a pair of doors from Rick’s Cafe from the movie “Casablanca” and the typewriter used to write Alfred Hitchcock’s “Psycho.” The 300,000-sq-foot museum, with two movie theaters and sweeping views of the Hollywood Hills, is now expected to open in about a year, museum officials said on Tuesday. The work of Japanese master animator Hayao Miyazaki will be the subject of the museum’s first temporary exhibit, followed by one on African-American cinema from 1900 to 1970 that is scheduled for the fall of 2020.
People demand refunds after utterly ‘sloppy’ performance of ‘The Wiz’ Dorothy forgot her lines, the Cowardly Lion looked more like a bear and the magical land of Oz was displayed on a laptop projector. A subpar performance of “The Wiz” put on by a concert promotion agency this past weekend at the Brown Theatre has caused dozens of Louisville customers to call and demand refunds, according to an employee at the Kentucky Center For the Performing Arts. Helen Barnett, who spent $65 for seats, said she was a fan of “The Wiz” because of its all-black cast. “It was terrible,” Barnett said. “Dorothy was wearing a Walmart dress. They forgot their dialogues … at one point Dorothy said she wanted to go back to Texas!” (In “The Wiz,” Dorothy is from Harlem while Dorothy in “The Wizard of Oz” is from Kansas.) Tasha McGhee, who went to the 7 p.m. show, said the actor playing the Cowardly Lion didn’t have a tail or a mane on his costume. He was missing one of his paws and was wearing one black sock instead. It went downhill from there. McGhee said there were several times the cast and crew set the wrong scene and needed to turn off the lights to reset it. “It was really sloppy,” Tasha McGhee said. “The backdrop was a projected image of a cornfield and a barn. But then laptop notifications kept popping up on screen. They were projecting it off of someone’s computer.”
Rhys Thomas’ Ruby Slippers Book Offers New Insights On FBI Recovery Of Stolen Shoes Rhys Thomas at first thought the call from the FBI was a joke. The author and documentary filmmaker listened to the phone message again and jotted down the return number. “Could this be a crank call?” he wondered. “Am I a person of interest in some investigation I know nothing about?” Calling the number in Minneapolis, he got FBI public affairs officer Michael Kulstad on the phone. “May I ask what this is about?” Thomas asked, still a bit wary. “May we speak confidentially?” the FBI official asked. “Yes,” Thomas replied. “Mr. Thomas, this is about the ruby slippers.” “We’d like to invite you to a press conference,” the FBI official told Thomas over the Labor Day weekend. “Do you think you could attend?” “Can you tell me anything more about this?” Thomas asked. “What about the shoes?” After a long pause, Kulstad said: “I can tell you that we have recovered the ruby slippers.”
The Wizard of Oz is a grotesque predictor of Trump’s America Oz is first wondrous and revelatory, then sinister and suspect, a good trip that goes wrong, swerving from the vivid Ikea yellow of the munchkins’ brick road to the scorched red-and-black tableau of the wicked witch’s eyrie. It’s this lurking inner wrongness, the darkness at its edges and the emptiness at its core, that speaks to me now. The US of The Wizard of Oz is not so far from the US of today. The supposedly great man living in Trump Tower – I mean Emerald City – turns out to be a con artist, a bloviating coward who relies on self-aggrandisement and empty shows of power to cow the people. The film’s chaotic momentum, in which events roll luridly from one rococo set-piece to the next, with Dorothy’s destination and the purpose of her trip moving in and out of focus, seems strangely familiar. And the central reveal about the hollowness, cynicism, opportunism, egotism and fakery of our leaders is chillingly apt.
Pulling back the curtain: Wizard of Oz named most influential film Researchers in Italy have declared the Wizard of Oz the most influential film ever made, outstripping others in how much it has inspired and been referenced in the film industry. The research team came to their conclusion after analysing more than 47,000 films across 26 genres, using references noted in the online movie database IMDb. The authors note that the database is biased towards films from the west, with the majority produced in the US. The team did not consider short films, adult films and those with no link or reference to other movies. They used a combination of four different mathematical approaches to explore the connections between movies, taking into account factors including the number of references a film received and whether the films that referred back to it were themselves influential. The results, presented in the journal Applied Network Science, reveal the top 20 influential films were all made before 1980 – perhaps unsurprising given that older films have had longer to make a mark – with Star Wars and Psycho scooping second and third place respectively. Other high entries include Citizen Kane, Metropolis, Casablanca, Dr Strangelove and Battleship Potemkin.
UW Professors Examine Long Marketing Life of the ‘Oz’ Myth As the three UW professors describe it, the book was born “on a balmy summer night in New York City in 2013.” They were passing the famed Gershwin Theatre late in the evening when a rush of theater patrons came out the front doors, excitedly discussing the stage production of “Wicked: The Untold Story of the Witches of Oz.” They noticed some were wearing tiaras, others dressed in green, and they even spotted a few sporting ruby red slippers. That got them thinking: How has Oz resonated so well through generations, and how many times can different versions of Baum’s original book be told through different platforms? The three professors’ book examines the long life of the Oz myth through the marketing machinery and the consumption patterns that have made its sustainability possible. Drawing on the fields of marketing, literary and cultural studies, and remediation theory, the authors examine key adaptations of Baum’s original publication. “For me, the biggest surprise was Baum himself. He wasn’t the impractical ‘dreamer of Oz’ we see in television movies,” Aronstein says. “Rather, he was an astute and savvy pioneer in the newly professionalized marketing field, and he used his experience to market and brand ‘Oz.’”
There’s no place like home for ‘Ruby Slippers’ production “Ruby Slippers,” a creative collaboration through the University of Minnesota Theatre Arts and Dance Department, explores what happened the night Judy Garland’s ruby slippers were stolen from a museum in Grand Rapids, Minnesota. The production will run Nov. 19 and 20. “I was trying to find a new story to develop and I did a Google search of the three … oddest things … that have happened [in Minnesota], and up pops this article about these ruby slippers that were stolen from the Judy Garland museum in Grand Rapids, Minnesota in 2005,” said Luverne Seifert, the director of the show and a senior teaching specialist in the theatre arts and dance department. And so the idea for “Ruby Slippers” was born. The collaborators had six weeks to write the show and then six weeks to stage it. They drew heavily from the film “The Wizard of Oz,” as well as the TV series “Fargo” because of its focus on mystery and crime in Minnesota. They also tried to capture the grief of the community in Grand Rapids, like dialogue from an email written by a woman in Grand Rapids who was angry over the stolen slippers.